Here is a new article on Ancient Origin‘s Premium site. The full article requires subscription but there is an extended preview on the free to view site. It investigates the nature of Palaeolithic cave art, its folkloric motifs, and the altered states of consciousness that ancient shamans used to access supernatural realms, bringing back with them messages that were encoded within the cave art…
Around 30-35,000 years ago there was an explosion of symbolism in Paleolithic human culture around the world, primarily represented by cave art. This cave art is usually located in hard to access underground spaces that must have had significant meaning for the artists and those who would have experienced these strange images by torchlight; And strange they are. Whilst many of the images are naturalistic images of humans, mammals and birds, there is also extensive representation of therianthropic beings, that is part human, part animal shape-shifters. There are also many beings that seem to be distorted humans, perhaps better described as humanoid. These images suggest that the Paleolithic artists were attempting to tell stories and incorporate messages and meaning within the stories, which they deemed important. The fact that many of the beings represented in the cave art are of a supernatural quality is symptomatic of what we might call folklore.
Here is the link:
Ancient Origins homepage
Neil Rushton’s author page on Ancient Origins
The website Ancient Origins have been kind enough to add me as a guest author. Below is a link to a new article The Origins of the Faeries.
The faeries appear in folklore from all over the world as metaphysical beings, who, given the right conditions, are able to interact with the physical world. They’re known by many names but there is a conformity to what they represent, and perhaps also to their origins. From the Huldufólk in Iceland to the Tuatha Dé Danann in Ireland, and the Manitou of Native Americans, these are apparently intelligent entities that live unseen beside us, until their occasional manifestations in this world become encoded into our cultures through folktales, anecdotes and testimonies. In his 1691 treatise on the faeries of Aberfoyle, Scotland, the Reverend Robert Kirk suggested they represented a Secret Commonwealth, living in a parallel reality to ours, with a civilization and morals of their own, only visible to seers and clairvoyants. His assessment fits well with both folktale motifs, and some modern theories about their ancient origins and how they have permeated the collective human consciousness. So who are the faeries, where do they come from, and what do they want?
Here are the article links:
Part 1 – The Origins of the Faeries: Encoded in Culture
Part 2 – The Origins of the Faeries: Changes in Perception