Faeries, Children and Altered States of Consciousness

A new publication by Simon Young, The Wollaton Gnomes: A Nottingham Fairy Mystery maps out the peculiar incident from 1979 when a group of children experienced gnome-like entities in a park in Nottingham. The book includes all the known sources, with a discussion of the data. It also has ten new essays that expound upon the incident and introduce a range of perspectives upon what may have happened. My own essay (adapted to include an introduction for anyone unfamiliar with the incident) is republished below. The discussion is curtailed somewhat, due to the word count for the publication, but there will be more lengthy articles here concerning the faeries and altered states of consciousness in the near future. Thanks to Simon for permission to share the text here at deadbutdreaming.

The Wollaton Park Incident

One of the more bizarre modern faerie encounters happened at Wollaton Park in Nottingham on 23 September 1979. It includes various traditional folkloric faerie motifs, but is overlain with some strange and anomalous features, which give it an edge of authenticity, especially as it was reported by a group of seven children between 8-10 years, who stuck rigorously to their story even when separated and questioned by their headmaster. The consistency of their testimonies is particularly impressive, despite some of the aberrant qualities of the account. Their testimonies were recorded on tape by the headmaster a few days after the event, and the transcriptions can be found here, recorded for posterity by Simon Young.

The incident happened during the early evening, at twilight. The children were playing close to a fenced-off marshy area of the park with ponds. Without warning, there appeared about thirty small cars, each containing two gnome-like creatures, that is, with ‘bobbled nightcaps’, beards, wrinkly skin, and dressed in coloured jerkins. One of the older children described them as: ‘about half the size of me and they had long white beards with red at the bottom and they had little white and red cars and they were chasing us.’ The cars were silent and seemed able to defy the laws of physics by floating over logs on the ground. Although the gnomic cars chased the children they were consistently described as being friendly and the whole encounter seemed like a game with the gnomes laughing, although when the two youngest children fell over in the marsh they became frightened. One of the only discrepancies in the testimonies is that five of the children said the gnomes were, apart from laughing, consistently silent throughout, whereas two children described them as talking in some type of foreign language. The cars were described as having triangular lights and some sort of button instead of a steering wheel. After about fifteen minutes, soon after the two youngsters fell in the marsh, the children ran off and the gnomes disappeared back into the trees.

The Wollaton Park incident is certainly one of the most intriguing modern encounter reports of faerie-type entities. If we consider the gnomes the children reported as part of a taxonomy of faeries, then the testimony joins the ranks of thousands from both folklore and modern experiences. Many experience reports are from childhood, usually (unlike with the Wollaton children) recalled in adulthood. When this is the case, we need to take into account the vagaries of memory, and how any incident is recalled. The plasticity of memory appertaining to any eye-witness event is a well-studied psychological trait. The psychologist Elizabeth Loftus conducted an in-depth study of how people remembered automobile accidents at various times after the event, concluding that: “findings seem to indicate that memory for an event that has been witnessed is highly flexible. If someone is exposed to new information during the interval between witnessing the event and recalling it, this new information may have marked effects on what they recall. The original memory can be modified, changed or supplemented.” This is, of course, unavoidable in any testimony of a past incident. In some ways, a non-ordinary supernatural event may be less prone to plasticity as it is likely to be a special event, detached from the everyday. Its unconventionality may burn it into memory in a more exacting way and its recall be more reliable than for that of a more commonplace occurrence. But potentially numinous incidents, such as encounters with supernatural entities, may also be subject to increased amounts of reconstitution, where the experiencer attempts to make subsequent rationalisations of the event and even suppress aspects of what has happened in order to codify it to accepted social and cultural belief systems.

So, with these caveats in mind, It is worth exploring how such non-human entity encounters may occur, and why there seems to be a relative prevalence of childhood experiences involving faeries. The gnomes in the Wollaton encounter seem to adhere to a fairly traditional folkloric appearance, but, of course, their levitating cars give them some modern cultural coding. If the incident is taken at face-value it could be seen as an updated version of many folklore anecdotes and stories that involve wizened gnomic faeries, behaving in a slightly irrational manner. Their manifestation in woodland and at dusk also locks in with the usual habitat and aphotic preferences of folkloric gnomes. Their materialisation to children is also important. The transcripts clearly demonstrate that the children, whilst startled by the encounter, were able to accept it without the rationalisation that might be expected of an adult. They viewed it as weird, but not unnatural. Perhaps this was simply a case of the children tuning into to the gloaming, woodland atmosphere and experiencing a non-material reality, acculturated for them by their watching (the very hallucinogenic) Big Ears and Noddy on the television. This state of mind of the children, coupled with their relative lack of (adult) cultural coding, is important. It may be contended that children are more easily able to enter an altered state of consciousness and participate in a non-local reality, which may possibly include supranatural entities such as the Wollaton gnomes.

Children and Faeries

Tales about children interacting with faeries in the historic folklore are relatively rare. The 19th- and early 20th-century collectors, such as Hunt, Campbell, Carmichael and Evans-Wentz did not record testimonies or stories from children, and only occasionally recounted remembered anecdotes from adults. But artwork depicting faeries from the same period often showed children interacting with the entities, and JM Barrie’s stage plays and novels in the first decades of the 20th century suggest an intrinsic understanding that there was an immutable link between children and faeries. This was demonstrated most famously in the story of the Cottingley faeries. In 1917, sixteen-year-old Elsie Wright and her nine-year-old cousin Frances Griffiths took photographs of what they claimed to be faeries, located in the grounds of Elsie’s family home in Cottingley, Yorkshire. Four of the five photographs were subsequently shown to be faked by the girls, who used cut-outs from illustrations from Princess Mary’s Gift Book, although the fifth photograph is more ambiguous, and Elsie always claimed it was not manufactured. Perhaps the most interesting part of the Cottingley story is that the girls, while later admitting to faking the images, claimed that they were only attempting to represent what they really saw in the gardens. When the theosophist and proclaimed clairvoyant, Geoffrey Hodson, visited the girls in 1921 he claimed that ‘both he and the girls regularly observed gnomes, fairies, elves, nymphs, and goblins.’ To the end of their lives in the 1980s, both Elsie and Frances insisted they had interacted with faerie entities at Cottingley over the course of five years.

By the mid 20th century, anecdotal experience reports similar to the Cottingley testimony (although without the photographs) were beginning to be collected by organisations such as the Fairy Investigation Society, which had been founded in 1927 (disbanded in 1932 but re-founded after the Second World War). These differed from the folkloric testimonies of earlier periods in that they were rarely overlain with any type of narrative story, but instead consisted of simple encounter reports. One of the most complete collections is that of Marjorie Johnson (secretary of the Fairy Investigation Society from 1950), which was finally published as Seeing Fairies. This included accounts of several hundred faerie encounters, mostly from Britain, and many of them were from children, albeit recalled at a later date. Johnson was a believer in the faerie phenomenon and had many personal experiences, but in Seeing Fairies she mostly recounted the testimonies of people who had written to her with minimal editorial input or interpretation. It is noticeable that many of the childhood recollections referenced gnome-like entities, such as the testimony recounted (in the third-person by Johnson) from Kent, England by Felicity Royds recalling an experience from when she was nine years old:

“Felicity found she had left some object – her coat or a toy – in the rose garden, and was sent back alone to fetch it. The rose garden was surrounded by thick yew hedges, and at the end of it was a cast-iron gate leading into a thicket of rhododendrons. The object, which she had gone to fetch, was on the grass near this gate, and she had just retrieved it and was turning away, fearful of what may come out of the bushes, when she saw coming through the gate a small man leading a light brown horse. The man was shorter than Felicity and appeared to be wearing a blue tunic with something white at the neck. His skin was very brown, browner than his hair. The pony was about the size of a Shetland but very slender. Although she did not feel frightened, Felicity did not look at the man directly, only out of the corner of her eye. He put his hand on her wrist, and his touch was cool, not cool like a fish or a lizard, but much cooler than a human touch. He led her out of the rose garden and onwards until they were within sight of the house, and then stood still while she went in. She said that she was not musical, but while he held her hand she seemed to be aware of a strain of music that was sweet and high but sounded rather unfinished.”

The tactility of this encounter is rare; most experiences are visual and audial only (as per the Wollaton gnomes). But (as elaborated on in the next section) some of Johnson’s correspondents suggest their encounters involved extra-sensory numinous perception, such as Clara Clayton, who recounted experiences throughout her life in Nottinghamshire, including as a child, when one day:

“I found myself in the presence of a little green gnome on a hill. His face was serious, and he looked anxiously from side to side. Then he beckoned to me, and as he went suddenly through the ground like a fish swimming through water, he changed to the colour of earth and he moved easily through soil, rock etc. I followed him with my inner vision until he ceased his downward journey and showed to me his particular place of work.”

The faerie gnome showed her how he fashioned earth and minerals before the experience ended in a sudden blackout.

In the 2014-17 survey by Simon Young of the Fairy Investigation Society there were thirty-four testimonies from adults recounting faerie experiences from when they were under ten, and seventeen from teenage recollections (all anonymised). There is a great divergence of faerie entity types, although several described the entities as gnomes, such as this experience (#18) from a thirteen year-old girl in Cornwall:

“We’d been on holiday in Cornwall before, and had joked about the ‘Little People’ who lived in the tin mines etc… The first proper day of our holiday we went for a walk on a clear sunny day. It was very rural; I remember we were walking down a grassy track with large banks of wild hedges running alongside. It could’ve been somewhere near Polperro. I was walking a few steps ahead of my mum and sisters, excited about having a whole week off, when I saw a gnome sitting by the side of the path. It was so unexpected; I think I remember feeling scared – or wondering if I was seeing things or going mad? I took another couple of steps and I saw his nut brown wizened face in detail. He was cheekily grinning at me. He had a mossy brown beard and dark brown shining eyes; he was wearing a peaked hat (brown) and a shiny jacket and trousers in shades of brown and ochre. I’d say he was about twelve- to fourteen-inches tall. I could not believe my eyes. I was even too amazed to turn around and tell my family to ‘look at the gnome’ by the path. Then the gnome cocked his head (again, cheekily), turned his back on me and kind of changed/melted (transmogrified?) into an old tree stump. This must’ve all happened in a second, just as I found the breath to say ‘Mum! Look…!’ But, of course, there was nothing to see but a tree stump. I felt really stupid then, so I muttered something non-consequential as we walked past. I was almost panicking, trying to make sense of what I had just witnessed. I was quite shaken. It was a breathtaking experience.”

And this testimony (#10) from an undisclosed location in England:

“[I was] walking home in woodland after building den with friends. [I] was nine at the time. I came around a tree and saw two small creatures two-feet high sitting on a stump. [They] appeared to be carrying small canes and dressed in brown cloaks. Watched them for short time, they saw me then vanished. [They were] thin, two-foot tall, longish arms and legs [with] pale faces.”

While the previous caveats of distorted memories must be taken into account, it is important to note that the correspondents not only took the time to reply to the survey, but that many of them described the events as cardinal points in their lives. The survey also asked respondents to report their state of mind at the time of the encounter. In a majority of cases (both adult encounters and adults recalling childhood memory) the experiencers appears to have been in some form of changed mood from their usual, everyday disposition. They seem, in effect, to have been in an altered state of consciousness.

Altered States of Consciousness and Experiencing Faeries

Faerie encounters reported by adults in adulthood, may seem to be potentially more authentic than something recalled from childhood. While the same issues of memory refraction apply, the time depth is not as great, and the anecdotal episodes will perhaps be given more credence. It is also noticeable that many faerie experiences, both in the historic folklore and in modern testimony, suggest the participants have, in some way, altered their states of consciousness and thereby allowed in the entity encounter. The extreme end of consciousness alteration might be seen as using psychedelics. There are thousands of experience reports across a range of platforms and publications, as well a several clinical studies, which describe radically altered states of consciousness brought on by a variety of psychedelic compounds, many of which involve encounters with non-human intelligent entities, which fall within a faerie taxonomy. These reports are fascinating testimony and suggest that whatever the encountered entities are, a fundamental change in consciousness may increase our chances of interacting with them. One of the most dramatic psychedelic experiences can be induced by injecting or smoking N,N-Dimethyltryptamine (DMT). Probably the most famous promulgator of the DMT experience was the late Terence McKenna, who coined the term self-transforming machine elves for the entities he often encountered during his many DMT trips: “Trying to describe them isn’t easy. On one level I call them self-transforming machine elves; half machine, half elf. They are also like self-dribbling jewelled basketballs, about half that volume, and they move very quickly and change. And they are, somehow, awaiting. When you burst into this space, there’s a cheer!” Since McKenna was experimenting with DMT there have been several experience surveys, which suggest that faerie-type entities (whether hallucinations, part of a transpersonal reality, or from a standalone reality outside our own), are regular characters within a DMT trip.

One of the most comprehensive surveys is from 2006, collated by the computational physicist Peter Meyer. ‘340 DMT Trip Reports’ documents what Meyer describes as, “reports which attest to contact with apparently independently existing intelligent entities within what seems to be an alternate reality.” The 340 (anonymous) reports certainly contain many encounters with faerie-type entities, most often described as elves. Forty-six of the reports describe encountering faeries/elves. One of the most interesting brings us to an important link between an adult altered state of consciousness and a child’s perspective. Respondent no. 65 had taken an unknown dose of DMT:

“This time I saw the ‘elves’ as multidimensional creatures formed by strands of visible language; they were more creaturely than I had ever seen them before. The message was changing from the initial ‘OK, OK, safe, safe… The elves were dancing in and out of the multidimensional visible language matrix, ‘waving’ their ‘arms’ and limbs/hands/fingers? and smiling or laughing, although I saw no faces as such. The elves were telling me (or I was understanding them to say) that I had seen them before, in early childhood. Memories were flooding back of seeing the elves: they looked just like they do now: evershifting, folding, multidimensional, multicolored (what colors!), always laughing, weaving/waving, showing me things, showing me the visible language they are created/creatures of, teaching me to speak and read.”

The statement that the elves were reminding the experiencer of childhood is interesting. The idea that children are less indoctrinated with a materialistic value system, and are therefore more able to experience a supernal reality is a commonplace motif. In this testimony the encounter may be integrating the memory of a suppressed childhood reality, and bringing it into the present via DMT.

But altered states of consciousness come in many forms, most less dramatic than DMT episodes. In the Fairy Investigation Society’s survey respondents were asked about their mood before and during the experience. In those who answered a majority reported a particular consciousness state, such as: content, anxious, carefree, pensive etc. This suggests they deemed their consciousness state during the experience as in some sense different from their usual everyday state. These mild altered states can be akin to daydream states or even hypnagogic episodes, when consciousness begins to let in what is usually filtered out, sometimes involving non-human intelligent entities. Whether these modes of consciousness may be in a hallucinatory state, conducting transpersonal information, or letting in ulterior entities from their own standalone reality, there seems to be a consistency in the experiences of faerie-type entities being witnessed by people in non-ordinary states of consciousness, however that state has been achieved, and however it is defined.

Were the children at Wollaton Park in an altered state of consciousness? It seems possible; the experience took place at dusk in a place that was fenced and off-limits. The twilight effect on consciousness and the sense of subversiveness in their actions might have skewed their usual take on the electro-magnetic spectrum. The cartoon ambience of the episode may have been the children’s cultural overlay on the true nature of the phenomenon. Perhaps children are more prone to slipping into altered states of consciousness and witnessing entities while there, but it is quite clear that most modern reports of faerie encounters are by adults. This might be due to most children’s testimonies being dismissed and unrecorded, and childhood recollections from later in life being written off as false memories. This makes the testimonies from the children who experienced the gnomes in Wollaton Park so important, as they were transcribed shortly after the incident, and seem to be honest reports. This modern folklore from the mouths of children is quite a rarity. Whether the children of Wollaton had their experience because their consciousness had been altered, cannot be conjectured. But many modern testimonies of faerie encounters stress a changed state of mind during the experience important enough to remember and to mention in a survey. An altered state of consciousness may not be the primary cause for all modern faerie encounters, but it may be the reason for the majority of experiences.

***

The cover image is by Brian Froud from his classic 1978 illustrated collection with Alan Lee, Faeries.

Simon Young’s The Wollaton Gnomes: A Nottingham Fairy Mystery is available now. It is the most comprehensive source for the incident and contains many references to follow up. The ten new essays are written by folklorists, Forteans and fairyists, and provide new insights into how such experiences may help us to understand the faerie phenomenon.

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Dead but Dreaming the novel is available now.

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Frightening and Enlightening: The Phenomenology of Modern Faeries

“If we are prepared to set aside the automatic scepticism and reductionism of our age, and if we spell out the problem in plain language, then we find that we are contemplating the existence of highly intelligent discarnate entities belonging to an order of creation fundamentally different than our own… By whatever name we know them – spirits, faeries, aliens – it really is almost as though the beings we are dealing with have been changing and developing alongside us for thousands of years, and that they therefore cannot simply be mass delusions, but must have a definite, independent reality outside the human brain.”

Graham Hancock, Supernatural (2005)

As Graham Hancock suggests, the faeries seem to have acculturated themselves alongside humans for a long period of time, adapting their phenomenology to our cultural creeds, but all the while maintaining their own specific metaphysical identity. They appear in folklore through cultural lenses that are distinguished by the worldview of the particular time. This might manifest through prehistoric cave paintings of hallucinogenic supernatural entities, Classical reliefs of human-like nymphs, Christianised medieval tales of marvels, the shapeshifting familiars of Early-Modern witches, or the array of liminal characters only slightly removed from consensus reality into a magical world recorded by 19th- and early 20th-century folklorists. But their presence is persistent. Despite concerted efforts to downgrade the folklore into tales for children during the late 19th and 20th centuries, belief in the ontological reality of faerie entities continues into the 21st century, albeit coded to modern sensibilities. And just as in the faerie folklore of the past, the modern phenomenology of these otherworldly beings is both diverse and elusive – frightening and enlightening.

Modern Faeries

Modern faerie sightings and experiences tend to pass under the mainstream cultural radar. The idea that there may be a parallel species of discarnate beings inhabiting our world and occasionally interacting with us is anathema to the dominant materialistic worldview. And as with anything outside the conventional reality-box, such phenomena are usually dealt with through disparagement – think of the final item on a TV news bulletin with the presenters smiling knowingly at the absurdity of a story. Faeries are particularly susceptible to such treatment due to their debasement into entities that simply do not exist except in the minds of children. However, in recent years – partly due to the internet enabling an exponential growth of alternative information – a new understanding of what the faeries are has begun to emerge, suggesting that their presence through history is not just the product of over-imaginative storytelling, but that rather they are deeply embedded within our collective consciousness, and are able to surface into consensus reality when certain conditions are met.

Part of the problem in tracing modern faeries is that the conditions of their appearances are not usually controllable, and so accounts of interactions with them tend to be anecdotal and unverifiable. Such is the case in what is probably the largest collection of Seeing-Fairies-A-687x1024-2faerie encounters in the 20th century: Marjorie Johnson’s Seeing Fairies, first published in English in 2014. Johnson (acting on behalf of the Fairy Investigation Society) collected over 500 anecdotal descriptions from people who claimed to have seen or interacted with faeries, and compiled them together with her own experiences. Some of her correspondents were Theosophists, with an avowed history of clairvoyance. But the majority were not, and their honest appraisals of seeing faeries are usually singular events in their otherwise non-clairvoyant lives. Their subjective anecdotes remain contentious as scientific evidence, but they are a fascinating collection of experience reports. The faeries described range from traditional folkloric types to metaphysical nature spirits, occasionally morphing into the delicate, genteel winged faeries of Victorian invention. Two examples give a flavour of the reports, both from the 1950s; the first (transposed into the third-person by Johnson) from Kent, England by Felicity Royds recounting an experience from when she was nine years old:

“Felicity found she had left some object – her coat or a toy – in the rose garden, and was sent back alone to fetch it. The rose garden was surrounded by thick yew hedges, and at the end of it was a cast-iron gate leading into a thicket of rhododendrons. The object, which she had gone to fetch, was on the grass near this gate, and she had just retrieved it and was turning away, fearful of what may come out of the bushes, when she saw coming through the gate a small man leading a light brown horse. The man was shorter than Felicity and appeared to be wearing a blue tunic with something white at the neck. His skin was very brown, browner than his hair. The pony was about the size of a Shetland but very slender. Although she did not feel frightened, Felicity did not look at the man directly, only out of the corner of her eye. He put his hand on her wrist, and his touch was cool, not cool like a fish or a lizard, but much cooler than a human touch. He led her out of the rose garden and onwards until they were within sight of the house, and then stood still while she went in. She said that she was not musical, but while he held her hand she seemed to be aware of a strain of music that was sweet and high but sounded rather unfinished.”

The second example (slightly abbreviated) is from a Mr Hugh Sheridan, whose encounter was in Ballyboughal, Co. Dublin, Ireland, in 1953. He was walking across fields between his workplace and home at dusk:

“… and when nearing the corner of one of the fields I heard a tittering noise. At first I thought it was some of the other men who had gone on before me and who might be intending to play some prank. However, I noticed immediately afterwards what looked like a large, greenish tarpaulin on the ground, with thousands of faeries on it. I then found there were a lot more around me. They were of two sizes, some about four feet high, and others about eighteen or twenty inches high. Except for size, both kinds were exactly alike. They wore dark, bluish-grey coats, tight at the waist and flared at the hips, with a sort of shoulder cape… the covering of their legs was tight, rather like puttees, and they appeared to be wearing shoes. I started on the path towards home, and the faeries went with me in front and all around. The largest faeries kept nearest to me. The ones in front kept skipping backwards as they went, and their feet appeared to be touching the ground. There were males and females, all seemingly in their early twenties. They had very pleasant faces, with plumper cheeks than those of humans, and the men’s faces were devoid of hair or whiskers… None of the faeries had wings. They tried to get me off the path towards a gateway leading from the field, but just before I reached it I realised they were trying to take me away, so I resisted and turned towards the path again. [After slipping into, and getting out of a dry a ditch, still surrounded by the faeries] I moved towards home with the faeries round me, and they kept the tittering noise all the time. In the end I got to a plank leading across a ditch from one field to another, and suddenly all the faeries went away. They seemed to go back with the noise gradually fading. At one time I had reached out my arms to try to catch them, but I cannot be sure whether they skipped back just out of reach, or whether my hands passed through them without feeling anything. They were smiling and pleasant all the time, and I could see their eyes watching me. When I got home, I found I was about three-quarters of an hour late, but I thought I had been delayed only a few minutes [my emphasis]. While the faeries were with me, I had the rather exciting feeling like being on a great height, but I was in no way afraid. I would very much like to meet them again.”

Most of Johnson’s accounts are from the mid 20th century, but the new incarnation of the Fairy Investigation Society (from 2013) has recently carried out a new survey into faerie sightings, using a standardised recording form. Whilst still reliant on anecdotal reports, and the honesty of participants, this census has currently compiled nearly 500 accounts of faerie encounters and the results will elucidate contemporary patterns of sightings in a searchable online format.

The Wollaton Park Gnomes

One of the more bizarre modern faerie encounters happened at Wollaton Park in Nottingham on 23 September 1979. It includes various traditional folkloric faerie motifs, but is overlain with some strange and anomalous features, which give it an edge of authenticity, especially as it was reported by a group of seven children between 8-10 years, who stuck rigorously to their story even when separated and questioned by their headmaster. The consistency of their testimonies is particularly impressive, despite some of the aberrant qualities of the account. Their testimonies were recorded on tape by the headmaster a few days after the event, and the transcriptions can be found here, recorded for posterity by Simon Young.

The incident happened during the early evening, just as it was getting dark. The children were playing close to a fenced-off marshy area of the park with ponds (how many children of this age would be allowed to wander around on their own in such a location at dusk today? But this was the 1970s). Without warning, there appeared about thirty small cars, each containing two gnome-like creatures, that is, with ‘bobbled nightcaps’, beards, wrinkly skin, and dressed in coloured jerkins. One of the older children described them as: ‘about half the size of me and they had long white beards with red at the bottom and they had little white and red cars and they were chasing us.’ The cars were silent and seemed able to defy the laws of physics by floating over logs on the ground. Although the gnomic cars chased the children they were consistently described as being friendly and the whole encounter seemed like a game with the gnomes laughing, although when the two youngest children fell over in the marsh they became frightened. One of the only discrepancies in the testimonies is that five of the children said the gnomes were, apart from laughing, consistently silent throughout, whereas two children described them as talking in some type of foreign language. The cars were described as having triangular lights and some sort of button instead of a steering wheel. After about fifteen minutes, soon after the two youngsters fell in the marsh, the children ran off and the gnomes disappeared back into the trees.

drawing
One of the children’s renditions of the Wollaton Park gnomes

The gnomes in this encounter seem to adhere to a fairly traditional folkloric appearance, but, of course, their levitating cars give them some modern cultural coding. If the incident is taken at face-value it could be seen as an updated version of many folklore anecdotes and stories that involve wizened gnomic faeries, behaving in a slightly irrational manner. Their manifestation in woodland and at dusk also locks in with the usual habitat and aphotic preferences of folkloric gnomes. Their materialisation to children is also important. The transcripts clearly demonstrate that the children, whilst startled by the encounter, were able to accept it without the rationalisation that might be expected of an adult. They viewed it as weird, but not unnatural. Perhaps this was simply a case of the children tuning into to the gloaming, woodland atmosphere and experiencing a non-material reality, acculturated for them by their watching (the very hallucinogenic) Big Ears and Noddy on the television.

Interestingly, Marjorie Johnson includes two more anecdotes of gnomic faeries (sans cars) in Wollaton Park in Seeing Fairies. The first detailed account is by Jean Dixon from the 1950s, where she explains how a group of gnomes led her around the park, showing her the natural features that they helped to maintain. This episode relates like an altered state of consciousness (see below) with the protagonist described as being ‘in a pensive mood’ prior to the experience, and perhaps liable to drift into a daydream state conducive to metaphysical visualisation. The second encounter happened in 1900 when a Mrs George “was passing Wollaton Park gates when she saw some little men dressed like policemen… They were smiling and looking very happy. They hadn’t any wings, and as far as I can remember they were between two and three feet in height.” It would seem that this particular park may be a significant place, where human consciousness interacts with something incorporeal if freed from the learned cultural constraints of reductionism.

Psychedelic Faeries

Such constraints can also be purposefully lifted by direct intervention into human states of consciousness – usually with the aid of a chemical agent. Most especially the psychedelic compounds tryptamines, phenethylamines and ergotamines reliably alter human consciousness and can enable it to interact with discarnate beings. There is a growing literature on this phenomenon, and it is clear that many of the psychedelically encountered entities can be classed ontologically as faeries. Terence McKenna was an enthusiastic advocate of these substances and wrote extensively about the landscapes and inhabitants of the otherworld invoked by mind-altering substances. He coined the term ‘self-transforming machine-elves’, to describe the entities that seemed to reside consistently in this chemically-induced world:

“Yes, first come the dancing mice, the little candies, the colored grids, and so-forth and so-on. But what eventually happens, quickly, like ten minutes later, is there is an entity in the trance, in the vision. There is a mind there, waiting, that speaks good English, and invites you up into its room… I come into a place. It’s hard to describe. It’s a feeling. And the content of the feeling is, ‘now the elves are near.’ But they won’t appear unless I invoke them… Trying to describe them isn’t easy. On one level I call them self-transforming machine elves; half machine, half elf. They are also like self-dribbling jeweled basketballs, about half that volume, and they move very quickly and change. And they are, somehow, awaiting. When you burst into this space, there’s a cheer! Pink Floyd has a song, The Gnomes Have Learned a New Way to Say Hooray. Then they come forward and tell you, ‘Do not give way to amazement. Do not abandon yourself.’ You’re amazingly astonished. The most conservative explanation for these elves, since these things are speaking English and are intelligent, is that they’re some kind of human beings. They’re obviously not like you and me, so they’re either the prenatal or postmortal phase of human existence, or maybe both.”

This quote is included in Jon Hanna‘s extensive 2012 survey of people who have contacted metaphysical entities while under the influence of a variety of psychedelics, most especially Lysergic acid diethylamide (LSD) and N,N-Dimethyltryptamine (DMT).

entities_2-2
‘Invaders’ by Naoto Hattori

Hanna’s survey, using experience reports from the website Erowid, found that 1,159 of 22,640 reports included mention of contact with entities or beings. A large proportion of these entities are what might be termed, ontologically, as faeries. Some of the reports chime with McKenna’s description of machine-elves, creatures that, while matching some of the qualities of folkloric faeries, often appeared mechanical and artificial. This might be another example of the faeries updating themselves to our cultural expectations; transforming themselves into a new technologically revised version of their former selves.

This certainly seems to have been the case in what remains the most rigorous study of entity contact by research participants injected with the potent psychoactive compound DMT. The research study was conducted between 1990 and 1995 in the General Clinical Dmt-The-Spirit-Molecule-Strassman-Rick-9781452601458Research Center of the University of New Mexico Hospital, by Dr Rick Strassman. It found that volunteers on the study injected with varying amounts of DMT underwent profound alterations of consciousness. This involved immediate cessation of normal consciousness and transportation to a different realm of reality with divergent physical properties, and inhabited by a range of creatures described as elves, faeries, lizards, reptiles, insects, aliens, clowns (yes, clowns) and various therianthropic entities. One woman even describes a pulsating entity that she described as ‘Tinkerbell-like’. The experiences, especially at higher doses, represented to the participants a parallel reality that was ‘super real’, not an hallucination, not a dream, but a substantial built reality with full sensory interaction + telepathy. Strassman published the results as DMT: The Spirit Molecule, and there is a 2010 documentary of the study, presented by Joe Rogan.

The experience reports from the study are irrational, absurd, frightening, illogical and surreal. It’s worth reading the book or watching the documentary to get the full range of what are incredible records of accessing very different realities. There is no question of any of the volunteers physically leaving the hospital bed during their experiences, but for all of them (without exception) the DMT-world was every bit as real as the one their minds left behind. After the injections participants frequently talked about ‘blasting through’ or ‘breaking through a barrier’ after which they found themselves in a realm with its own laws of physical space and movement, and its own inhabitants. Here is an abbreviated version of one of the volunteer’s description of his experience; 50 year old Jeremiah. After hurtling through a void he found himself:

“… in a nursery. A high-tech nursery with a single Gumby, three feet tall, attending me. I felt like an infant. Not a human infant, but an infant relative to the intelligence represented by the Gumby. It was aware of me but not particularly concerned… Then I heard two or three male voices talking. I heard one of them say “he’s arrived.” … I was in a big room… there was one big machine in the center, with round conduits, almost writhing – not like a snake, more in a technical manner. The machine felt as if it were rewiring me, reprogramming me… This is real. It’s totally unexpected, quite constant and objective… an independent, constant reality… I’m lucid and sober.”

In his 2011 review of the phenomenology and ontology of entities experienced on DMT, David Luke uses Strassman’s findings, but also expands the remit to include a wealth of other literature on the subject. Luke makes it clear that there seems to be an ubiquity of faerie-type creatures in the DMT-world: “Encounters with elves, gnomes, pixies, dwarfs, imps, goblins and other ‘little people’ (though clearly not human people), are extremely prevalent. Indeed on my first experience with DMT, unaware of virtually all lore associated with it, I found myself, eyes closed, being stuffed full of light by what I can only describe as little elves.”

But is it real? Building on a study carried out by Peter Meyer in 1994, Luke gets to the crux of the issue of psychedelically-induced faeries (and by extension all faerie encounters) and suggests there are three interpretations for what is happening:

  1. They are hallucinations. The entities are subjective hallucinations. Such a position is favoured by those taking a purely (materialist reductionist) neuropsychological approach to the phenomena.
  2. They are psychological/ transpersonal manifestations. The communicating entities appear alien but are actually unfamiliar aspects of ourselves, be they our reptilian brain or our cells, molecules or sub-atomic particles.
  3. The entities exist in otherworlds. DMT provides access to a true alternate dimension inhabited by independently existing intelligent entities in a stand-alone reality, which exists co-laterally with ours. The identity of the entities remains speculative.

Of course, all three interpretations may be true at different times, but whatever conclusions are drawn, there does appear to be a pantheon of faerie-types accessible to people who retune their consciousness with psychedelic compounds.

The Faeries as Aliens

These three explanations may apply equally to the most extreme examples of potential faerie acculturation – the consistently bizarre phenomenon of alien abductions. Whilst abductees are seldom reported as having taken any psychoactive substance, one hypothesis is that their experiences are generated by an endogenous increase of DMT in their brains. David Luke explains that the production of DMT in the body is speculated to occur through the conversion of the simpler molecule tryptophan into tryptamine and then into DMT, the tryptophan being available from the diet as an essential amino acid. Such bio-synthesis has been observed in plants and is speculated to occur in humans, but it remains unknown where, for certain, this bio-synthesis occurs. One hypothesis holds that DMT manufacture occurs at the pineal gland, but this remains unproven. Wherever it comes from, if released in larger amounts than usual, it may be the natural psychedelic that allows the abduction scenarios, which often show marked similarities to folkloric faerie encounters (usually labelled under the Aarne-Thompson motifs F.324 and F.329). The alien greys may be simply high-tech faeries, updated for our modern sci-fi tastes, and accessed via an altered state of consciousness.

1magonijaIndeed, in his 1969 book Passport to Magonia, the astronomer and computer scientist Jacques Vallée – whilst holding back on any definitive conclusions about the objective/subjective nature of alien abductions – put forward the theory that the alien beings who had been purportedly abducting people around the world for a couple of decades by that date were one and the same as the faeries of European folklore. Vallée uses a range of evidence to tie-up faerie abductions from folklore and alien abductions from modern reports, and goes as far to state:

“… the modern, global belief in flying saucers and their occupants is identical to an earlier belief in the fairy-faith. The entities described as the pilots of the craft are indistinguishable from the elves, sylphs and lutins of the Middle Ages. Through the observations of unidentified flying objects, we are concerned with an agency our ancestors knew well and regarded with terror: we are prying into the affairs of the Secret Commonwealth.”

The Secret Commonwealth was the term coined for the faeries by the Reverend Robert Kirk in a manuscript of 1691. Vallée points out that Kirk’s descriptions of the faeries and their modus operandi bear more than a passing resemblance to the alien visitors of the 20th and 21st centuries. Amongst Kirk’s faerie attributes were an ability to float through the air with insubstantial and fluid bodies, that they could make appear and disappear at will. This allowed them to ‘swim’ through the air and carry off mortals, usually to large circular abodes, that Kirk presumed were underground, and which were lit by a dim, unknown illumination. They even had ‘ætheriall vehicles’ to carry them around the sky. Kirk also asserted that the faeries had a nature intermediate between humans and angels.

Their habit of abducting humans was usually for the purpose of wet-nursing faerie children or as midwives; a theme that fits in with the deluge of recent alien abduction reports (mostly unknown to Vallée in 1969) that would suggest one of the main reasons for abduction is to obtain wet-nurses for hybrid human-alien offspring. In 2005, Graham Hancock followed Vallée’s lead and took the comparison of faerie and alien abduction much further in his book Supernatural. He compiled a range of faerie folklore from various time periods and geographical locations and set them against modern-day alien abduction events. He pays special attention to the faerie abduction of young women, such as Mrs Sheridan, an Irish woman, who seems to have spent much of the last decade of the 19th century being whisked off by the fairies for wet-nursing duties:

“Where they brought me I don’t know, or how I got there, but I’d be in a very big house, and it was round, the walls far away that you’d hardly see them, and a great many faeries all about… but they wouldn’t speak to me nor I to them.”

These ‘long-faced’ faeries had a definite purpose for kidnapping her and weren’t too concerned with her tearful appeals to release her – she had a job to do, and that was feeding their faerie babies. The correlation between these types of folkloric encounters and the modern alien abductions of women is striking. Hancock surveys the work of the late Harvard psychiatrist John Mack and the cultural historian David Jacobs, who have made extensive studies of people who claim to have been abducted by aliens, often using ALIEN-3hypnotic techniques to extract memories from amnesic events. It’s a minefield subject, but John Mack in particular is a convincing advocate of the notion that whatever the experiences represent, they are genuinely real to the participant. One common motif involves the abductee, after being floated or beamed aboard the UFO, being taken to a part of the ship where there seem to be drawers or tanks of hybrid alien-human babies, which they are expected to nurse. There is a consistency to these experiences (there are thousands of them) that provides a dataset of testimony that Mack and Jacobs insist must be taken seriously as a phenomenon. For the abductees, the experience is often highly traumatic (Mack states that the best psychiatric diagnosis for many abductees is post-traumatic stress disorder), and no wonder, when they are confronted with alien hybrids often described as more like foetuses than babies. One abductee described to Mack their appearance, which is fairly typical: “Their bodies were short for their heads. Their heads seemed oversized. They had very blue eyes. They had very thin, wispy hair… I would say they were probably three and a half feet tall, but they all looked the same age. ‘You’re our mother and we need you,’ they said.”

The evidence presented by Vallée and Hancock makes a convincing argument for the tight relation between faerie abductions in folklore and alien abductions in the 20th and 21st centuries. Once again, the encounters are culturally coded to time and place, but the correlations and similarities are intriguing, and suggest the possibility of a common source for the phenomena, however the participants arrive at their experience.

The Faeries as Nature Spirits

Alien abductions are most often terrifying experiences for the participants, and do correlate with some of the more malicious episodes in faerie folklore. But modern faerie contact can take an altogether more benign and constructive form when the faeries are engaged as nature spirits. There is a long tradition of the faeries representing non-material forces of nature, essential to the propagation of nature. The 15th-century alchemist Paracelsus developed an epistemology of these beings, but it was not until the incorporation of these ideas through the Theosophist movement in the late 19th century that the concept of a metaphysical realm responsible for the wellbeing of the natural world gained a wider understanding. One of the prime-disseminators of the nature spirit hypothesis was the Austrian Rudolf Steiner. In a series of lectures between 1908 and 1924 he outlined his hypothesis of how a range of supernatural entities (usually termed elementals) acted within nature and how a human observer might interact with them. Once again, this was dependent on altering consciousness. In this case the metaphysical technology was clairvoyance; an ability to perceive a non-material reality existing alongside, but in constant synergy with, the material world. Steiner attempted to explain the mechanics of clairvoyance, when a person must transform their usually passive thought forms into something more dynamic. In normal consciousness thoughts:

“… allow themselves to be connected and separated, to be formed and then dismissed. This life of thought must develop in the elemental world a step further. There a person is not in a position to deal with thoughts that are passive. If someone really succeeds in entering the world with his clairvoyant soul, it seems as though his thoughts were not things over which he has any command; they are living beings… You thrust your consciousness into a place, it seems, where you do not find thoughts that are like those in the physical world, but where they are living beings.” Rudolf Steiner, Perception of the Elemental World (1913).

Steiner goes on to describe the specific elemental animating forces at work in the natural world when perceived clairvoyantly in what he calls the Supersensible World. The elementals in the Supersensible World exist as a range of beings, from devas, which are responsible for entire autonomous landscapes, through to the smaller nature spirits charged with the growth of vegetation. Steiner (basing his epistemology on that of Paracelsus) divides these into four main types corresponding to earth (Gnomic), water (Undines), air (Sylphs) and heat/light (Salamanders). This is the faerie realm, existing as a non-material autonomous reality that crosses over with ours, and which can be accessed via a clairvoyant altered state of consciousness. Steiner thought everyone has this innate ability, but they had to be taught how to use it… it had somehow become almost forgotten amongst humanity.

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Ylenia Viola – ‘Spring Awakening’ Fairytalesneverdie.com

But Steiner’s vision of the faeries as nature spirits has found many adherents in modern times, and a brief perusal of recent literature and websites devoted to the faeries seems to confirm that a majority of people interacting with these entities do so using some form of clairvoyant ability, and that when they do, the faeries are nature spirits. A good example is Marko Pogačnik, a Slovenian artist and ‘earth healer’, who travels the world to connect with the nature spirits, in order to communicate with them and heal damaged landscapes. His overview of how he works with the intelligence in nature is best found in his 1996 publication Nature Spirits and Elemental Beings, where he describes tuning into the morphogenetic fields surrounding landscapes and individual components within them. One of the ways he heals these landscapes is through what he calls lithopuncture, art installations of standing stones, meant to act upon the earth in the same way as acupuncture works on the human (or animal) body. This links us clearly to prehistoric morphological designs, such as stone circles and rows. Marko suggests that our prehistoric ancestors were full-time collaborators with the nature spirits, and were using their own lithopuncture partly to induce harmony and regulation to their surrounding environments. Post-industrial ignorance of the invisible intelligence in nature has created a disconnection with natural landscapes, much to the detriment of all life and the earth’s biosphere itself:

“The rational scientific paradigm has, during the last two centuries, imposed upon humanity a pattern of ignorance towards those beings and dimensions of life that do not know physical appearance and yet are inevitable for life processes to run and to evolve. My effort as an artist and a human being is to get intimate experience of those invisible dimensions and beings, and share the experience and knowledge about the invisible worlds of Earth and Universe with my fellow human beings to change that extremely dangerous pattern that ignores the sources of life itself.”

Pogačnik’s meditative clairvoyance penetrates the materiality of nature and sees what is happening at a metaphysical level; a level where the elementals appear in a vast variety of forms, but usually adhering to the general forms outlined by Steiner. Pogačnik’s incisive, easy and honest style of description allows for a deep insight into the cosmic reality of the mechanisms of interaction with these faerie nature spirits. He describes how seemingly innocuous changes to the natural environment can cause a potentially negative impact on the elementals who constitute the metaphysical aspect of that environment. His natural clairvoyant abilities enable him to contact the faeries and to resolve issues with them – even something as simple as moving a compost heap in a garden might force the elemental inhabiters of the compost to an unfamiliar environment, where they might cause mischief as a reaction to their perceived persecution. He suggests that these beings of a different order are unable to follow our rationalised thinking: “Their consciousness works on the emotional level. They think the way we feel, and the opposite is also true: our mental level is like a foreign language to them.”

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Marko Pogačnik’s rendering of some unhappy fire spirit faeries (salamanders) displaced to the top of an apple tree from their compost heap

Like Steiner, Pogačnik suggests that all humans have the congenital ability to enter a state of consciousness that will allow interaction with the nature spirits, but that this requires a lowering of the mental threshold. If we want faerie interaction our ingrained reductionist belief system needs to be dissolved or suppressed, and we must enter a meditative state, free from the usual intrusions of normal rational thinking. Perhaps one reason why it is children who so often see and interact with faeries is that this rationality is as yet not fully formed and ingrained; their consciousness is simply more able and prone to slip into a daydream state, where there is less separation between the physical and the metaphysical.

Locating Modern Faeries

It would seem that modern faeries are potentially as diverse as their historic folkloric counterparts. They have survived the downgrading into harmless children’s fables and re-emerged in a variety of forms that continue to defy straightforward explanations or interpretations. Indeed, there is the possibility that there is a straight evolutionary line from the supernatural entities decorating prehistoric caves to the abstruse creatures that make up the modern folklore of alien abductions. This apparent acculturation of the faeries over time might be put down to the development of our own psychogenetic outlook, or it may be predicated on them adapting to us, if they constitute part of a stand-alone metaphysical reality.

This brings us back to Meyer and Luke’s three-part interpretation of what these discarnate entities might represent: subjective hallucinations, transpersonal psychological manifestations, or otherworldly beings interacting with our own material reality on their own terms. It would seem we are unlikely to come to a definitive conclusion about what they really are any time soon; the faeries continue to elude us, remaining, as they have always done, on the liminal bounds of human consciousness, sometimes frightening, sometimes enlightening, but never leaving us alone.

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For discussion and dialogue on the phenomenology of modern faeries, readers might be interested in visiting the Facebook page Modern Fairy Sightings.

Machineelf
Terence McKenna’s ‘Self-Transforming Machine Elf’

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